Project files are usually small, and easy to back up. This illustrates how your Mac is.As a video creator your camera source video files are the most valuable thing you have. Many major hard drive manufacturers provide Wi-Fi and Ethernet connected Mac compatible network drive products for Time Machine compatible network storage and backup.Seagate STEL6000100 Backup Plus Hub 6TB External Hard Drive Desktop HDD USB 3.0, 2 USB Ports, for Computer Desktop Workstation PC Laptop Mac, 2 Months Adobe CC What is the best storage for video editing? Learn how to set up your RAID or NAS video storage with an effective backup and workflow strategy.Thunderbolt Mac Backup Drives Shopping for the fastest Apple ThunderBolt backup drive The emergence of ThunderBolt 3 is radically shifting the Macintosh compatible data storage peripheral market as the interface of 10Gbps and 20Gbps ThunderBolt changes from the Mini DisplayPort style to a smaller, reversible Type-C connector thats also used by modern USB-C devices.Take a look at Activity Monitor (Fastest way to open the app Command-Space>Type Activity Monitor, tap Return). Best Wireless Mac Backup Drives Apple users in homes or businesses with multiple Macs to backup love centralized wired and wireless Network Attached Storage - NAS storage.NAS Video Storage and USB Hard Drive or LTO Backup Direct Attached Video Storage and USB Hard Drive or LTO Backup Online Video vs Offline Video (Proxies) The Best Storage for Video Editing, VFX, and Color Grading RAID arrays give you redundancy which helps, but doesn’t excuse you from making sure your data exists in two other locations.The goal of this article is to break down what’s important, what things you really shouldn’t compromise on, and the simplest ways to implement critical best practices on a budget.
Fastest Backup Drives Plus Backup Hard10GbE Networking for Office or Home Studio The Best File Systems for Video Storage Most expensive and fastest (zero downtime): Mirrored online video storage plus backup hard drives or LTO tapes More expensive but fast, and most secure offline backup solution: LTO-8 tapes Cheapest and slowest offline backup solution: USB hard drives Online Storage is high speed attached working storage for instant access to active video media and other files.Nearline Storage is attached storage for short term data that needs to be instantly accessible, but doesn’t require the speed of the online storage.Offline Storage is medium term storage of data that is not attached or instantly accessible. If a file doesn’t exist in three places, it doesn’t exist. If you don’t want to read through it, here are some key points.This protects your data from a single drive failure in the array. Configure your RAID storage for redundancy using RAID 5. This can be pairs of cloned external hard drives, or even LTO tape using a desktop LTO tape drive. However, always duplicate your media to other offline storage. You can use a direct attached RAID, or a shared NAS as your primary working online storage. Clone is for making data available to use in a different location.Backup is for recovery from hardware failure or recent data corruption or loss.Archive is for space management and long term retention. When two servers are configured as a high availability cluster, data is mirrored automatically. If you cannot tolerate any downtime to restore data, the most effective method to protect the data on your online storage is to mirror it to an identical secondary server. LTO tapes are a safe, and fast way to backup, archive, and restore high volumes of data. If you ever lose all the data on your online storage and have to rebuild it from a backup, be aware that individual external hard drives are very slow. This adds additional redundancy (two drives) and prevents your data from being at risk during a drive rebuild. Pairs of cloned USB external hard drives are ideal and don’t take up much space, but are slow to restore data from. But remember to always backup your media to other offline storage. External SSD drives are a great portable online storage solution on location or when traveling. There is zero downtime, and once the failure is resolved, the mirror will be rebuilt automatically. The best media storage for video editing and post production is not the same for everyone. There is no such thing as a one such fits all solution for video and media professionals. There are options for personal cloud backup (including backup of external hard drives) and to backup an entire NAS.The Best Storage for Video Editing, VFX, and Color GradingI’ll admit it, the title of this article, and this section heading is mainly for good SEO. Code editor for macYou can also add cloud storage to any kind of on-site workflow. I’ve tried to make this modular in the sense that you should choose a solution for online working storage, a solution for continuous duplication (backup) and also for long term archive. However, rack mounted enterprise shared storage, and robotic LTO tape libraries are beyond the scope of this article.What you’ll find in this article is an explanation of the requirements to ensure your data is always safe, and the different hardware options you can consider. Nothing essentially changes at a larger scale. Beyond this scale, all of the same technical principles apply, but involve much larger systems. Nearline Storage is attached storage for short term data that needs to be instantly accessible, but doesn’t require the speed of the online storage Online Storage is high speed attached working storage for instant access to active video media and other files Here are some useful and simple definitions. Online vs Nearline vs OfflineI’m certain you’ve heard these terms used widely when discussing video storage. You’ll also learn about common RAID levels, and the best file system choices to format your drives. Online video files are full resolution, original source video files This doesn’t really have anything to do with storage but I’ll explain here to help clarify the terminology and prevent confusion. A backup is an example of offline data.To make things a bit more confusing, the terms “online” and “offline” are also used to describe source video files, and low resolution, compressed video “proxies”. They will often have a different file extension (but not always) because the codec and format may be different. Once the edit is locked, the sequence can be reconnected to the full resolution online video files (this process is called a conform) for color grading and export of final deliverables.Often these offline video proxies can be generated as standalone files, and will always share the exact same filenames, and timecode as the source online video files. In this case an “offline edit” can make use the lower resolution, lower quality proxy video files for fast and fluid editing. It’s easy to blur the lines and think of these all as simply duplication of your video files, but each serves a different purpose. Copy vs Backup vs ArchiveBefore we can dive into different types of video storage, or even strategy and structure, I want to define the key differences between a copy, a backup, and an archive. It is the same with DaVinci Resolve’s render cache, which are temporary proxy video files rendered only from portions of online source video clips in a sequence.There are many reasons to create, or use offline proxy video files if they help streamline your workflow or increase performance, but whether they are a standalone set of files, or a hidden cache, they can always be recreated from the original online source video files. These are effectively offline proxy video files that Resolve generates and keeps hidden away in a cache directory.
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